Ringing in the year of the fire horse, the event’s 39th edition emphasized a message of celebration amid a moment of turmoil.
Inside the Anxious Art of Mitski’s Nothing’s About to Happen to Me
Photos: Lexie Alley
Words: Kyle Lemmon
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Photos: Lexie Alley
Words: Kyle Lemmon
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Maya Hawke and Christian Lee Hutson
Maya Hawke and Christian Lee Hutson
Ringing in the year of the fire horse, the event’s 39th edition emphasized a message of celebration amid a moment of turmoil.
Words: FLOOD Staff
Photos: David Iskra
Words: Will Schube
Photos: Kevin Allen
Words: Kyle Lemmon
Photos: Lexie Alley
Words: Mike LeSuer
Photos: Courtesy of the Artist (Power Snatch ) / Al Nardo (This Is Lorelei)
Words: Mike LeSuer
Photo: Pooneh Ghana
Words: Mike LeSuer
Photo: Claire Wardlaw
Words: Kurt Orzeck
Photo: Bobby Cochran
Words: Mike LeSuer
Photo: Acacia Evans
Words: Will Schube
Words: FLOOD Staff
Words: Mike LeSuer
Lillie West discusses her time living in flux between Iceland, Taos, Chicago, and LA and learning to change her mindset before touring her newly released Sub Pop debut Heaven 2.
Words: Will Schube
Photos: Kevin Allen
Creative director Mary Banas and photographer Lexie Alley examine the Tansy House aesthetic and various influences that slink out of Mitski’s eighth album like playful cats.
Words: Kyle Lemmon
Photos: Lexie Alley
In our latest digital cover story, the Belgian DJ discusses the long road to her debut album, the early clubbing memories that inspired it, and the evolution of techno in the hands of a more diverse scene.
Words: Mike Wass
Photos: Carianne Older
Lighting Design: Jesse Tam
Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Words: Mike LeSuer
Photo: Xander Ferreira
Words: FLOOD Staff
Photos: Dutch Doscher
Words: Will Schube
Photo: Joshua Mellin
Words: Will Schube
Photo: Kate Ellen Meakin
Words: FLOOD Staff
Words: Mike LeSuer
Words: Mike LeSuer
Photo: Alexi Hobbs
Words: Mike LeSuer
Photo: Joshua Halling
Words: Mike LeSuer
Photo: Candice Lawler
Words: FLOOD Staff
Photo: Alison Wonderland
Words: Mike LeSuer
Photo: David Sims
Words: Bee Delores
Words: FLOOD Staff
Photo: Abraham Recio
It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.
Well-observed, a bit absurd, and wholly singular, this “hobo stew” permits each instrument and each musical idea to embrace Callahan’s discursive lyrical and structural style.
A hodgepodge of electronic textures, genres, and styles, the artist’s proper debut for his own Brainfeeder label feels improvisational despite its meticulous craftsmanship.
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