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Photos: Ebru Yildiz
Photo Assistant: Pelin Kılıç
Words: Erica Russell
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Joined by Julia Cumming on bass, the UK alt-rockers take us behind the scenes of their arena shows in Chicago supporting Rodrigo.
Words: FLOOD Staff
Photo: Deanie Chen
Words: Erica Russell
Photos: Ebru Yildiz
Photo Assistant: Pelin Kılıç
Words: A.D. Amorosi
Photos: Dean Podmore
Words: Kevin Crandall
Photo: Kevin Allen
Additional photos: Valerie J. Bower
Words: FLOOD Staff
Words: A.D. Amorosi
Photos: courtesy of Warner/Clockwork
Words: Kurt Orzeck
Photo: Pooneh Ghana
Words: Mike LeSuer
Photo: Piper Ferguson
Words: Mike LeSuer
Photo: Emilie Silvestri
Words: Mike LeSuer
Photo: Kevin Kerslake
Words: FLOOD Staff
Photo: Phoenix Johnson
In our latest digital cover story, Sabrina Teitelbaum discusses how she’s developed a sense of artistic agency that’s allowed her to draw closer to her intended sound on her third album, Violins.
Words: Erica Russell
Photos: Ebru Yildiz
Photo Assistant: Pelin Kılıç
Australian plunderphonics innovators Robbie Chater and Tony Di Blasi dredge up the past for the present on their future-forward No Bad Memories.
Words: A.D. Amorosi
Photos: Dean Podmore
The self-proclaimed “genre killer” takes us on a journey from modding out Game Boys for homemade chiptune punk to signing with indie giants Stones Throw ahead of his latest release, Tomorrow’s World.
Words: Kevin Crandall
Photo: Kevin Allen
Additional photos: Valerie J. Bower
Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Words: Will Schube
Photo: Max Montgomery
Words: Will Schube
Photo: Lexi Hide
Words: Will Schube
Photo: Lewis Evans
Words: Will Schube
Photo: Daniel Arnold
Words: Mike LeSuer
Photo: William Lacalmontie
Words: Mischa Pearlman
Photo: Andrew Wells
Words: FLOOD Staff
Photos: Orestes Gonzalez and John Cafaro
Words: FLOOD Staff
Words: FLOOD Staff
Words: Mike LeSuer
Photo: Anthony Scanga
Words: Mike LeSuer
Photo: Kyle Berger
Words: FLOOD Staff
Photos: Donny Evans
Words: FLOOD Staff
Photos: Daniel Cavazos
The experimental duo coil psychedelic-folk introspection around prog-rock guitar flourishes across the dramatically pivoting tracklist of their acoustically oriented debut for 4AD.
On her second album, the English artist pivots to clubbier sounds that both satisfy and sting as she suppresses loneliness with a fake smile and a polished dance-pop sheen.
Opting for a synthetic architecture over the driving guitar language of earlier records, the Dublin band shatters their sonic frontier to reveal a grim catechism for hyper-processed hedonism.
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